“in a Sor recital that tapers sensitively from sets of variations through fantasies to pieces of sweet repose. Giglio has a remarkable ear for the latent expressivity of a single tone, whether in isolation or in the company of its brethren. Moreover, his playing throughout is as lyrical as it is expository. But it is his accommodating himself to the instrument’s limitations in order to unlock the music’s true potential that proves truly revelatory.”
—William Yeoman, Gramophone
See the full issue in the April 2020 issue of Gramophone or online at gramophone.co.uk.