Classical Iconoclast offers the first review for our September 2018 release, The Hills of Dreamland — Elgar Orchestral Songs: “Those who have treasured SOMM’s first collection of Elgar songs for voice (with Catherine Wyn-Rogers, Christopher Maltmann, Neal Mackie and Malcolm Martineau) will seek this out, for they make good companion pieces. In any case, there […]

Gramophone critic Andrew Farach-Colton reviews Krysia Osostowicz and Daniel Tong’s Beethoven Plus, Volume One recording in the September issue of Gramophone Magazine: “Osostowicz and Tong’s interpretative style – patient, affectionate, warmly conversational, sensitive to harmonic detail – reminds me of Schneiderhan and Kempff’s classic mid-’50s set.…these are thoroughly engaging performances. The whole of Op 12 […]

Andrew Achenbach offers an “enthusiastic” welcome to the Royal Birmingham Conservatoire Chamber Choir’s new The Glory and the Dream recording in the September issue of Gramophone Magazine: “What an extraordinarily versatile and accomplished figure was Richard Rodney Bennett (1936-2012). As both performer and composer he possessed richly communicative gifts, and his sizeable output evinces an […]