SOMM Recordings is pleased to announce a release devoted to the singular 20th century Spanish composer and pianist, Manuel de Falla, with three late-Romantic scores that capture the very essence of Spain: The Three-Cornered Hat, Nights in the Gardens of Spain and Seven Spanish Folksongs.
Against the backdrop of the First World War, Falla found fame and recognition in Spain as not only a leading composer, but one with a growing international reputation. This status was confirmed when Sergei Diaghilev commissioned the ballet, El sombrero de tres picos, for the Ballet Russes to perform in London in 1919, with stage designs by Pablo Picasso. The ballet, like the novel by Pedro Antonio de Alarcon that inspired it, incorporates Spanish storytelling that conjures up everyday village life, and Falla’s music is rich in echoes of traditional Spanish folk tunes.
Following a musically enriching sojourn in Paris from 1907 to 1914, Falla returned to Spain with the completed Siete canciones populares españolas and sketches for what would become Noches en los jardines de España. Subtitled ‘symphonic impressions for piano and orchestra,’ Noches en los jardines de España is a three-movement portrayal of the sounds and sights of Falla’s native Andalusia rendered magical under the cover of darkness. Following the premiere in Madrid in 1916, Falla himself was the soloist for the work’s first performance in London in 1921.
While El sombrero de tres picos and Noches en los jardines de España were Falla’s imaginative evocations of Spanish folk music, both the texts and the melodies of Siete canciones populares españolas were traditional, although Falla’s original arrangement for soprano and piano added much to the effectiveness of these songs from different regions of Spain. This work is one of Falla’s most arranged compositions; the orchestrated version here is by Luciano Berio.
This recording features the Ulster Orchestra with their Principal Guest Conductor, Jac van Steen. The soloist for Noches en los jardines de España is the London based Brazilian pianist, Clelia Iruzun, one of SOMM’s long-time collaborators and treasured artists. She is undoubtedly amongst the finest pianists in South American and Iberian repertoire currently performing in Europe, and several composers have dedicated works to her. The prize-winning Irish mezzo soprano, Sarah Richmond, is making her CD debut in Siete canciones populares españolas.
On This Recording
Part I
- I. Introduction (1:31)
- II. La Tarde (Afternoon) (5:26)
- III. Danza de la molinera (Dance of the Miller’s Wife). Fandango – El corregidor (The Magistrate) – La molinera (3:47)
- IV. Las uvas (The Grapes) (4:28)
- I. Danza de los vecinos (The Neighbor’s Dance). Seguidillas (3:34)
- II. Danza del molinero (The Miller’s Dance). Farruca – Scene. Allegretto – Las coplas del cuco (The Cuckoo Couplets). Nocturno (7:25)
- III. Danza del Corregidor (The Magistrate’s Dance). Minué – Allegro (6:21)
- IV. Danza final (Final Dance). Jota (6:24)
- I. En el Generalife (In the Gerneralife) (10:25)
- II. Danza lejana (Distant Dance) (5:01)
- III. En los jardines de la Sierra de Córdoba (In the Gardens of the Sierra de Córdoba) (8:15)
- I. El paño moruno (The Moorish Cloth) (1:24)
- II. Seguidilla murciana (1:28)
- III. Asturiana (2:02)
- IV. Jota (3:11)
- V. Nana (1:17)
- VI. Canción (1:15)
- VII. Polo (1:32)
bSarah Richmond, mezzo-soprano
Ulster Orchestra; Jac van Steen, conductor
