“While certain pianists approach Mozart sonatas in the manner of visual artists who favour pastels and subtle hues, Peter Donohoe often applies primary colours in broad brushstrokes. … Donohoe’s full-throated yet stylistically contained Andante cantabile corroborates the composer’s essentially operatic DNA. … The A major K331’s theme-and-variations first movement seems to play itself by virtue of Donohoe’s simplicity, […]