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Piano Music by John Ireland Vol. 3

Largely due to the efforts of the young pianists of today, chief amongst them, Mark Bebbington, John Ireland is at last being recognised as a major influence in British music. Educated by Stanford at the Royal College of Music in the tradition of Brahms and Dvorak, he subsequently absorbed some of the influence of Debussy and Ravel but although he always remained curious about later compositional styles, he remained essentially a Romantic throughout his career.

Piano Sonatas by Benjamin Dale and William Hurlstone

These two epic, late romantic romantic Piano Sonatas make a valuable contribution to the catalogue of English music on record: Piano Sonata in D minor by Benjamin Dale (1885 – 1943) and Piano Sonata in F minor by William Hurlstone (1876 – 1906) recorded by the remarkable Mark Bebbington who, in collaboration with SOMM, has carried out an unprecedented amount of work and research in the field of  British music during the last 7 or 8 years, many of these making their first appearance on disc.

Piano Music by John Ireland Vol. 2

Volume 2 contains one of Ireland’s undeniable masterpieces – Sarnia: An Island Sequence which is Ireland’s evocation of, and tribute to Guernsey, an island where he had achieved possibly the greatest happiness and contentedness in his life.

Gramophone Reviews The Dante Quartet’s Third Volume of Stanford String Quartets

The March 2020 Gramophone issue reviews the Dante Quartet’s Stanford: String Quartets, Volume Three recording with a rave for the whole set: “Hats off, folks: the completion of the first full recorded cycle of Stanford’s string quartets deserves a moment of acknowledgment. … the more you listen to this music, the more distinctively Stanford’s own […]

Gramophone Reviews Stanford String Quintets and Intermezzi

“it’s worth reiterating just what a debt of gratitude lovers of British music owe to SOMM and the Dante Quartet for their commitment to Stanford’s chamber music. Listening to this vibrant new recording, what struck me was… the freshness, the spontaneity, the instinctive ‘rightness’ of Stanford’s writing for strings. This might be the most satisfying […]

Gramophone Spotlights Charles Villiers Stanford

Gramophone Magazine’s October 2019 issue profiles the Charles Villiers Stanford Musical Revival and features SOMM’s recent and upcoming recordings of his string quartets with the Dante Quartet and the upcoming release of Stanford’s opera “The Travelling Companion”. “The recording of The Travelling Companion gives us a unique opportunity to hear a side of Stanford’s musical […]

Gramophone Reviews Stanford: Songs of Faith, Love and Nonsense

The May 2021 issue of Gramophone Magazine has a wonderful new review for Roderick Williams, James Way, and Andrew West’s recording of Stanford’s Songs of Faith, Love and Nonsense: “Here’s yet another valuable instalment in Somm’s exploration of Charles Villiers Stanford. …the commanding partnership of Roderick Williams and Andrew West distilling a keen dramatic instinct […]

Gramophone Review for Stanford: String Quartets Nos. 3, 4, & 7

Gramophone reviews the Dante Quartet’s recording of Charles Villiers Stanford: String Quartets Nos. 3, 4, & 7 in the October 2018 issue: “All three of the works on this disc are premiere recordings, an astonishing state of affairs for what must surely be the most significant quartet cycle by any British composer before Frank Bridge. […]

Gramophone Declares The Travelling Companion a Landmark Recording!

Gramophone Magazine’s Richard Bratby reviews the world premiere recording of Stanford: The Travelling Companion in the November 2019 issue: “This is a landmark: the first full-length commercial recording of any of Stanford’s nine completed operas. It’s all the more remarkable in having been brought about by the semi-professional New Sussex Opera, who last year revived The […]

British Music Society Reviews The Travelling Companion

“This double CD is the World Première recording of the last of Charles Villiers Stanford’s nine operas. It contains a narrative element strikingly similar to Puccini’s Turandot. … With the attractive tonal colours of Stanford’s music, in particular his orchestral and choral writing, it provides a fascinating and enjoyable experience. … Performances are excellent, especially […]