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South of the Line: Choral Music by John Joubert

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Label: ,
Catalogue No: SOMMCD 0166
Release Date: 2017-03-01
Number of Discs: 1
EAN/UPC: 748871016620
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Liner Notes
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SOMM’s celebration of John Joubert’s 90th birthday March 2017 brings to the catalogue yet more new riches, this time no less than seven première recordings of his choral music. South of the Line (together with Autumn Rain) was recorded last June at the Birmingham Conservatoire and poignant is the fact that it was commissioned from the composer for the opening of the Adrian Boult Hall and the last music heard there for this recording, before its demolition.

 

Choirs are at the heart of John Joubert’s music and it is by his choral music that he seems to communicate most directly with audiences. He once commented. ‘Communication is important to me. I want to be understood, enjoyed and used’. It’s perhaps for this reason, this capacity for dramatic articulation of meaning, that his choral music holds such a certain place in the listeners’ hearts. Indeed he has composed choral music throughout his career winning, in 1952, a Novello Anthem competition with O Lorde, the Maker of Al Thing set to a poem by Henry VIII. The lullaby-like There is no Rose (1954) is another work with a firm place in the English choral repertoire, and another setting of an ancient text. Incantation, Pilgrimage Song and Three Portraits as well as Sonnet, This is the Gate of the Lord, Autumn Rain and Be Not Afeard, his most recent work a commission for Novello honouring the 400th anniversary of Shakespeare’s death, are all first recordings.

But perhaps the most powerful and extraordinary of all the works on this disc is South of the Line. Commissioned by Ex-Cathedra in 1985 it receives here a searing interpretation by Birmingham Conservatoire Chamber Choir under their conductor, Paul Spicer. Joubert uses texts from five poems by Thomas Hardy who wrote them in response to the outbreak of the Anglo-Boer War at the turn of the century. The music is an unabashed anti-war statement with a cataclysmic setting of words, consisting of equal parts grief and scathing irony, pitting the choir against a battery of percussion — even the two pianos are essentially treated as drums. The music they evoke from the South African-English John Joubert is a compelling and a powerful indictment against the inhumanity of war.

On This Recording

  1. O Praise God in His Holiness, Op. 52
  2. O Lorde, the Maker of Al Thing
  3. There is no Rose
  4. Incantation: I Chorus
  5. Incantation: II Solo
  6. Incantation: III Chorus
  7. Pilgrimage Song, Op. 169
  8. Three Portraits, Op. 97: To Mistress Isabel Pennell
  9. Three Portraits, Op. 97: To Mistress Margery Wentworth
  10. Three Portraits, op. 97: To Mistress Margaret Hussey
  11. Be not Afeard, Op. 179
  12. Sonnet, Op. 123
  13. This is the Gate of the Lord, Op. 164
  14. Autumn Rain, Op. 105
  15. South of the Line, Op. 109 - 1. Embarcation
  16. South of the Line, Op. 109 - 2. A Wife in London
  17. South of the Line, Op. 109 - 3. Drummer Hodge
  18. South of the Line, Op. 109 - 4. The Man He Killed
  19. South of the Line, Op. 109 - 5. A Christmas Ghost Story