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Archive for Gramophone Review

Gramophone Reviews for Treasures from the New World and British Violin Sonatas

The June 2020 issue of Gramophone Magazine features reviews of our new Treasures from the New World and British Violin Sonatas recordings: “Howick’s flexible tone is well suited to the fragile dissonance of Walton’s harmony and the prevalence of seventh intervals in the composer’s thematic shapes (rather similar to the Violin Concerto of 1939) is […]

Gramophone Reviews Papagena’s Hush!

Gramophone Magazine’s Alexandra Coghlan gives a rave review for Papagena’s new recording, “Hush!” in the May 2020 issue: “Taking a King’s Singers approach to mixing repertoire, the group slip easily from Georgian and Sephardic folk songs to English part-songs, music by Scarlatti and Tchaikovsky and a generous selection of new works, with even a cheeky […]

Gramophone Reviews The Dante Quartet’s Third Volume of Stanford String Quartets

The March 2020 Gramophone issue reviews the Dante Quartet’s Stanford: String Quartets, Volume Three recording with a rave for the whole set: “Hats off, folks: the completion of the first full recorded cycle of Stanford’s string quartets deserves a moment of acknowledgment. … the more you listen to this music, the more distinctively Stanford’s own […]

Gramophone Reviews Leon McCawley’s “Sparkling” Haydn Sonatas

Gramophone Magazine reviews Leon McCawley’s second volume of Haydn’s Piano Sonatas in the November 2019 issue: “Light of touch, stylistically assured and brimful of intelligence and wit, Leon McCawley’s second instalment of Haydn sonatas for SOMM fairly sparkles with delight. This follows his 2016 recording of four sonatas plus the F minor Variations (2/17) and, […]

Gramophone Declares The Travelling Companion a Landmark Recording!

Gramophone Magazine’s Richard Bratby reviews the world premiere recording of Stanford: The Travelling Companion in the November 2019 issue: “This is a landmark: the first full-length commercial recording of any of Stanford’s nine completed operas. It’s all the more remarkable in having been brought about by the semi-professional New Sussex Opera, who last year revived The […]

Gramophone Magazine Finds A Lot to Enjoy in The Leipzig Circle

“It’s an attractive idea: a programme of chamber music by four mutual friends, Robert and Clara Schumann and Fanny and Felix Mendelssohn. Two D minor piano trios anchor the programme – by Fanny and Robert – while salon pieces by Felix and Clara fill out the running time very appealingly, as well as providing brief […]

Gramophone Reviews Nathan Williamson’s Colour and Light

“The eclecticism and stylistic contrasts characterising the works on Nathan Williamson’s newest release reveal this pianist’s knack for conceiving intelligent and freshly minted playlists of relatively unfamiliar yet worthy repertoire. Indeed, the contents and running order would make for a most satisfying and stimulating recital programme, with or without intermission. … In all, a stimulating […]

Gramophone Reviews Peter Donohoe’s Mozart Piano Sonatas Vol. Two

“[Peter Donohoe] and SOMM’s recording team return to the Birmingham Conservatoire and to a Bechstein piano that sounds ideal in this music — beatuifully sonorous… Donohoe takes each work at face value, keeping shifts of tempo and impromptu ornamentation to a minimum but still playing with the sensitivity that was palpable in Vol. 1. … […]

Gramophone Reviews Kathleen Ferrier: In Celebration of Bach

“[This] is an important addition to Ferrier’s discography, and she is indeed marvellous in it, singing ‘Esurientes implevit bonis’ with that unique, indescribable tone and expressive sincerity that characterises her finest work. She also, one notices, exercises a steadying effect on some of her colleagues. … This is grand-manner Bach…Playing and choral singing are both enthusiastic… […]

Private Passions a Gramophone Editor’s Choice!

“First recordings of two sets of piano pieces by Arnold Bax and Harriet Cohen (his charismatic muse and lover) adorn this latest helping of home-grown fare from the excellent Mark Bebbington. Cohen’s four Russian Impressions prove a charming find, the first two especially winning Bax’s approval. Bebbington lends them atmospheric and deftly affectionate advocacy, as he […]