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Archive for Gramophone

Gramophone Reviews Clélia Iruzun’s new Piano Concertos recording!

Clélia Iruzun, Jac van Steen, and the Royal Philharmonic Orchestra’s new Oswald & Saint-Saëns Piano Concertos recording is in the Gramophone Awards Issue: “ I was at least charmed by the … reading by Clélia Iruzun and Jac van Steen. I warmed to the slow movement, with its echoes of Fauré, and thoroughly enjoyed the tarantella […]

Gramophone Reviews Roderick Williams and Susie Allan’s Somervell Recording

Andrew Achenbach reviews Roderick Williams and Susie Allan’s new recording of Sir Arthur Somervell: A Shropshire Lad & Maud in the August issue of Gramophone Magazine: “Superbly partnered by Susie Allan (whose deft touch and ingratiating tone are a constant source of pleasure), Roderick Williams gives an outstandingly sympathetic rendering, his consistently perceptive characterisation especially […]

Gramophone Reviews Papagena’s Hush!

Gramophone Magazine’s Alexandra Coghlan gives a rave review for Papagena’s new recording, “Hush!” in the May 2020 issue: “Taking a King’s Singers approach to mixing repertoire, the group slip easily from Georgian and Sephardic folk songs to English part-songs, music by Scarlatti and Tchaikovsky and a generous selection of new works, with even a cheeky […]

Gramophone Reviews The Dante Quartet’s Third Volume of Stanford String Quartets

The March 2020 Gramophone issue reviews the Dante Quartet’s Stanford: String Quartets, Volume Three recording with a rave for the whole set: “Hats off, folks: the completion of the first full recorded cycle of Stanford’s string quartets deserves a moment of acknowledgment. … the more you listen to this music, the more distinctively Stanford’s own […]

Gramophone Spotlights Charles Villiers Stanford

Gramophone Magazine’s October 2019 issue profiles the Charles Villiers Stanford Musical Revival and features SOMM’s recent and upcoming recordings of his string quartets with the Dante Quartet and the upcoming release of Stanford’s opera “The Travelling Companion”. “The recording of The Travelling Companion gives us a unique opportunity to hear a side of Stanford’s musical […]

Gramophone Magazine Finds A Lot to Enjoy in The Leipzig Circle

“It’s an attractive idea: a programme of chamber music by four mutual friends, Robert and Clara Schumann and Fanny and Felix Mendelssohn. Two D minor piano trios anchor the programme – by Fanny and Robert – while salon pieces by Felix and Clara fill out the running time very appealingly, as well as providing brief […]

Beethoven Plus, Vol. 2 is a Gramophone Top Beethoven Chamber Music Album

Gramophone‘s Richard Bratby features his top recordings of Beethoven’s Chamber Music in the September 2019 “Gramophone Collector” column and Krysia Osostowicz and Daniel Tong‘s Beethoven Plus, Vol. 2 is part of his collection: “In their ‘Beethoven Plus’ series on SOMM, violinist Krysia Osostowicz and pianist Daniel Tong have found another [way of renewing Beethoven] — […]

Gramophone Reviews Nathan Williamson’s Colour and Light

“The eclecticism and stylistic contrasts characterising the works on Nathan Williamson’s newest release reveal this pianist’s knack for conceiving intelligent and freshly minted playlists of relatively unfamiliar yet worthy repertoire. Indeed, the contents and running order would make for a most satisfying and stimulating recital programme, with or without intermission. … In all, a stimulating […]

Gramophone Reviews Peter Donohoe’s Mozart Piano Sonatas Vol. Two

“[Peter Donohoe] and SOMM’s recording team return to the Birmingham Conservatoire and to a Bechstein piano that sounds ideal in this music — beatuifully sonorous… Donohoe takes each work at face value, keeping shifts of tempo and impromptu ornamentation to a minimum but still playing with the sensitivity that was palpable in Vol. 1. … […]

Daniel Tong on Beethoven’s Inspiration for Modern Composers

In 2014, Krysia Osostowicz and I were working on the cycle of 10 Beethoven Sonatas for Violin and Piano, on that kind of musical high that comes from immersion in the depths of fathomless art. We began talking about what we could do to mark out our cycle from the many that have come before; […]