Simon Heffer celebrates SOMM’s 25th Anniversary with an article titled “In classical music, there’s one label I can always count on” in The Telegraph: “One of the glories of classical music today is Somm Recordings. Established in 1995 and celebrating its silver jubilee, Somm has concentrated on discovering and rediscovering British composers, while also producing […]

“While certain pianists approach Mozart sonatas in the manner of visual artists who favour pastels and subtle hues, Peter Donohoe often applies primary colours in broad brushstrokes. … Donohoe’s full-throated yet stylistically contained Andante cantabile corroborates the composer’s essentially operatic DNA. … The A major K331’s theme-and-variations first movement seems to play itself by virtue of Donohoe’s simplicity, […]

BBC Music Magazine gives a ⭐️⭐️⭐️⭐️ Performance and ⭐️⭐️⭐️⭐️ Recording rating to our new Penelope Thwaites: From Five Continents recording in the July 2020 issue: “All except one of these choral compositions and songs receive their first recordings in this set and to say they are lively, catchy and imaginative is probably not saying enough. […]

The June 2020 issue of Gramophone Magazine features reviews of our new Treasures from the New World and British Violin Sonatas recordings: “Howick’s flexible tone is well suited to the fragile dissonance of Walton’s harmony and the prevalence of seventh intervals in the composer’s thematic shapes (rather similar to the Violin Concerto of 1939) is […]

Mark Bebbington has put together a new playlist of some of his favourite works from his SOMM discography for our SOMM Spotify Channel! Listen now to “Mark Bebbington Favourites”! Explore Mark Bebbington’s full discography on SOMM:

Gramophone Magazine’s Alexandra Coghlan gives a rave review for Papagena’s new recording, “Hush!” in the May 2020 issue: “Taking a King’s Singers approach to mixing repertoire, the group slip easily from Georgian and Sephardic folk songs to English part-songs, music by Scarlatti and Tchaikovsky and a generous selection of new works, with even a cheeky […]

“in a Sor recital that tapers sensitively from sets of variations through fantasies to pieces of sweet repose. Giglio has a remarkable ear for the latent expressivity of a single tone, whether in isolation or in the company of its brethren. Moreover, his playing throughout is as lyrical as it is expository. But it is […]

The March 2020 Gramophone issue reviews the Dante Quartet’s Stanford: String Quartets, Volume Three recording with a rave for the whole set: “Hats off, folks: the completion of the first full recorded cycle of Stanford’s string quartets deserves a moment of acknowledgment. … the more you listen to this music, the more distinctively Stanford’s own […]

The Strad Magazine Reviews Janet Sung, Simon Callaghan, Britten Sinfonia, and Jac van Steen’s recording, The Deeper the Blue…, in the February 2020 issue: “this enterprising programme focuses intentionally on music more celebrated (rightly or wrongly) for its stylistic flavours and colours than for its architectural rigour.… Indeed, it is Janet Sung’s deft ability to […]

Gramophone Magazine names Kathleen Ferrier In New York the February 2020 Reissue/Archive Editor’s Choice! “A treasure, to be sure. Four years before Bruno Walter’s celebrated, indeed classic Vienna recording (1952) with Kathleen Ferrier, the man who conducted the world premiere of Mahler’s pantheistic symphony with voices takes his newest discovery from the Edinburgh Festival to […]