“[Peter Donohoe] appears to take early Beethoven as his interpretative trajectory with a gloves-off spontaneity that imbues these magical scores with a compelling vitality and freshness. Donohoe’s radiant cantabile — captured to perfection by producer Siva Oke and engineer Paul Arden-Taylor — illuminates event the most workaday of sequential passage-work. It’s underpinned by an uninhibited […]
“this recording reappears on Somm 20 years later, tying in with José Serebrier’s 80th birthday. Its main points of interest concern the conductor’s splendid orchestrations of the three piano Preludes. The first stands out for Serebrier’s witty and unpredictable use of brass instruments and his ingenuously varied cymbal fills when the main theme recapitulates. … […]
“Plenty of charismatic playing here, in a programme clearly planned to entertain. … This sequence was taken live from a concert in 2017 and the audience’s delight in it is audible… [a] splendid time…is clearly being had by all. … Johnson’s reimaginings of the two closing Strauss numbers are as frothy as a glass of […]
Peter Donohoe joined the Thoroughly Good Classical Music Podcast for an hour-long discussion about his latest SOMM release of Mozart Piano Sonatas and much more! Listen now:
“this is a recording by a very versatile wind and string group, Emma Johnson directs, and they perform and record in formations ranging from little trios right up to octets as well. …what people particularly latch onto in these performances is the obvious pleasure that they take in working as a team. There is such an […]
“Peter Donohoe imagines the choice of Mozart’s solo piano works for his latest recording on SOMM will surprise many, although it is a project evolved over a lifetime, as well as being triggered by a snap decision. ‘I realise that I tend not to be associated with this repertoire, partly because I have tended to […]
“As a chorister in the 1960s I can still remember the lines of the British Legion who would parade up to the village church and the war memorial to hear the names of the dead read out. My memories of those chilly, solemn November Sunday mornings are still vivid. They were occasions charged with deep […]
“Gems abound on this third and final volume in what has been a most enterprising survey, and I’m happy to report that, as on previous instalments, Sarah Fox and Roderick Williams are at the top of their game throughout. … We are offered no fewer than nine settings of poems by Parry’s fellow student at […]
The January/February 2019 issue of International Piano has a Five-Star review for Cordelia Williams‘ new Piano Music by J.S. Bach and Arvo Pärt recording: “This is a superb concept, enhanced by Michael Quinn’s fascinating notes. Both Bach and Pärt share a religious aspect and concision of expression. The sheer clarity of Williams’ Bach — two […]
SOMM is celebrating the holiday season with a new playlist of selected tracks from our selection of Christmas recordings! Listen on Spotify and explore the albums below: